PERNILLA OHRSTEDT STUDIO

  • Studio
  • Press
  • Architecture
    • Museum of London
    • Vitra Workspace
    • The Beatbox
    • Dezeen Office
    • Cadogan Café
    • Future Memory Pavilion
    • Stazione Futuro
    • Storefront for Art & Architecture
    • Ring Dome, New York
    • Ring Dome, Milan
  • Installation
    • Antipodium S/S 2013
    • Cloud
    • Colette Clouds
    • Glitch Space
    • Topshop Unique S/S 2014
    • Topshop Showspace S/S 2014
  • Exhibition Design
    • Beazley Designs of the Year 2019
    • V&A Videogames
    • Vitra Work Orgatec 2016
    • International Fashion Showcase 2014
    • Atlas of the Unbuilt World
    • Stazione Futuro
    • White House Redux
  • Object
    • Silhouette Series
    • Argon Stars
    • Atlas Stool
    • Antipodium Combs S/S 13
    • Heracles Postcard
    • Learning from Kilburn
    • Light Well Table
    • Iconoclastic Plastic Chair
    • Pandora’s Comb
  • Publication
    • Hylozoic Ground
  • Contact

Antipodium Catwalk Spring/Summer 2013

A catwalk stage set for London-based fashion label Antipodium’s Spring/Summer 2013 collection, ‘How to Affect Robots and Influence People’. Ohrstedt designed a curtain made of over 10,000 rigid fresnel lens tiles that acted as pixelators, distorting the models’ bodies as they came through it and onto the catwalk. The tiles were specially cut to allow the curtain to expand and contract like a butcher’s chain mail, retracting like a voluptuous skin into an arch for the models to pass under.

Design: Pernilla Ohrstedt
Client: Antipodium
Location: London Fashion Week
Date: London Fashion Week, September 2012